1. moviesinframes:

Equilibrium, 2002 (dir. Kurt Wimmer)
By SunnydaZe

Director Kurt Wimmer wanted Gun Kata to be “fluid” but the fight choreographer Jim Vickers wanted a “hard” style.  Vickers won and it is his version you see in this scene.  Later, Wimmer would use his fluid style in “Ultraviolet” which he also directed.  I think each respective style fits the film in which they were used; “Equilibrium” being more masculine and “Ultraviolet” being more feminine.

    moviesinframes:

    Equilibrium, 2002 (dir. Kurt Wimmer)

    By SunnydaZe

    Director Kurt Wimmer wanted Gun Kata to be “fluid” but the fight choreographer Jim Vickers wanted a “hard” style.  Vickers won and it is his version you see in this scene.  Later, Wimmer would use his fluid style in “Ultraviolet” which he also directed.  I think each respective style fits the film in which they were used; “Equilibrium” being more masculine and “Ultraviolet” being more feminine.

    movie Equilibrium 2002 Kurt Wimmer Christian Bale submission

  2. moviesinframes:

Caddyshack, 1980 (dir. Harold Ramis)
By SunnydaZe

The original script had much more emphasis on the scholarship and “Danny” character.  Initially, Murray, Chase, and Dangerfield were to be cameo  appearances but their improvising skills caused their roles to be  expanded.  THANK GOD!

    moviesinframes:

    Caddyshack, 1980 (dir. Harold Ramis)

    By SunnydaZe

    The original script had much more emphasis on the scholarship and “Danny” character.  Initially, Murray, Chase, and Dangerfield were to be cameo appearances but their improvising skills caused their roles to be expanded.  THANK GOD!

    1980 Bill Murray Caddyshack Harold Ramis movie Rodney Dangerfield submission

  3. moviesinframes:

D.O.A. - Dead or Alive, 2006 (dir. Corey Yuen)
By SunnydaZe

These are the shots which really capture the spirit of a fighting game.  And did I mention COREY F*CKING YUEN, MAN!!!

    moviesinframes:

    D.O.A. - Dead or Alive, 2006 (dir. Corey Yuen)

    By SunnydaZe

    These are the shots which really capture the spirit of a fighting game.  And did I mention COREY F*CKING YUEN, MAN!!!

    movie Corey Yuen D.O.A. Dead or Alive Devon Aoki Natassia Malthe Jaime Pressly Holly Valance submission

  4. moviesinframes:

The Life Aquatic with Steve Zissou, 2004 (dir. Wes Anderson)
By SunnydaZe

This movie really knows how to use a widescreen!  Not since Kubrick has the entire frame been used so well.  Also like Kubrick, the director Wes Anderson knows how to let a moment breath without rushing it.  This defines his work and also may alienate some of the modern audience raised on rapid fire editing. 

    moviesinframes:

    The Life Aquatic with Steve Zissou, 2004 (dir. Wes Anderson)

    By SunnydaZe

    This movie really knows how to use a widescreen!  Not since Kubrick has the entire frame been used so well.  Also like Kubrick, the director Wes Anderson knows how to let a moment breath without rushing it.  This defines his work and also may alienate some of the modern audience raised on rapid fire editing. 

    movie The Life Aquatic with Steve Zissou Wes Anderson 2004 Bill Murray submission

  5. moviesinframes:

Jimmy Neutron: Boy Genius, 2001 (dir. John A. Davis)
By SunnydaZe10

Executive Produced by The Most Amazing Keith Alcorn who is also doing the same on “Planet Sheen”!  Watch it on Nick, Monkeyboy!

    moviesinframes:

    Jimmy Neutron: Boy Genius, 2001 (dir. John A. Davis)

    By SunnydaZe10

    Executive Produced by The Most Amazing Keith Alcorn who is also doing the same on “Planet Sheen”!  Watch it on Nick, Monkeyboy!

    animation movie Jimmy Neutron Boy Genius John A. Davis 2001 submission